Jason Fulford
“When someone looks at one of your pictures, they will always think of their own life, their own memories. Each interpretation will be unique.”
– Jason Fulford
JASON FULFORD (1973) is a photographer, co-founder of J&L Books, and a Guggenheim Fellow.
He is a frequent lecturer at universities, and has led workshops across the United States, in Japan, Italy, Poland, Latvia, Britain, Canada, Luxembourg, The Netherlands, Germany, Spain and Slovenia.
His monographs include Sunbird (Bird Entertainment, 2000), Crushed (J&L Books, 2003), Raising Frogs for $$$ (The Ice Plant, 2006), The Mushroom Collector (The Soon Institute, 2010 and 2014), Hotel Oracle (The Soon Institute, 2013), Contains: 3 Books (The Soon Institute, 2016), The Medium is a Mess (Studio Blanco, 2018), Clayton’s Ascent (TBW, 2018) and Picture Summer on Kodak Film (MACK, 2020).
He is co-author with Tamara Shopsin of This Equals That (Aperture, 2014), Find Colors (Phaidon and Whitney Museum, 2018), A Pile of Leaves (Phaidon and Whitney Museum, 2019), and Offline Activities (The Ice Plant, 2020). Together with Gregory Halpern he co-edited The Photographer’s Playbook (Aperture, 2014).
Fulford’s photographs have been described as open metaphors. As an editor and an author, a focus of his work has been on the subject of how meaning is generated through association.
His books here
His website here
Exhibitions in collaboration with Micamera
Picture Summer on Kodak Film
19 May – 20 June, 2020 (to be rescheduled)
Micamera, Milan
Jason Fulford and Tamara Shopsin
The Beach Ball and the Crab
15 September – 14 October, 2017
Micamera, Milan
Performances
Hotel Oracle / the wine cellar
28 March, 2014
Micamera, Milan
High Anxiety
6 May, 2017
HEY NOW, Reggio Emilia
Workshops
ME ME ME (or: THE PARALLAX VIEW) with Tamara Shopsin
16 -17 September, 2017
Micamera, Milan
Chance
22-23 October, 2016
Micamera, Milan
VISUAL LANGUAGE: How images speak to each other
29-30 March, 2014
Micamera, Milan
Some artworks. Please contact us for further information
Inkjet print from scanned negative
edition of 5+2AP’s, size: 24×24″ (61x61cm)
open edition: size 8×10″ (20x24cm)
published in:
‘Picture Summer on Kodak Film’
(MACK, 2020)
Inkjet print from scanned negative
edition of 5+2AP’s, size: 24×24″ (61x61cm)
open edition: size 8×10″ (20x24cm)
published in:
‘Picture Summer on Kodak Film’
(MACK, 2020)
Inkjet print from scanned negative
edition of 5+2AP’s, size: 24×24″ (61x61cm)
open edition: size 8×10″ (20x24cm)
published in:
‘Picture Summer on Kodak Film’
(MACK, 2020)
Inkjet print from scanned negative
edition of 5+2AP’s, size: 24×24″ (61x61cm)
open edition: size 8×10″ (20x24cm)
published in:
‘Picture Summer on Kodak Film’
(MACK, 2020)
Inkjet print from scanned negative
edition of 5+2AP’s, size: 24×24″ (61x61cm)
open edition: size 8×10″ (20x24cm)
published in ‘The Mushroom Collector’
(The Soon Institute, 2010 and 2014)
Inkjet print from scanned negative
edition of 5+2AP’s, size: 24×24″ (61x61cm)
open edition: size 8×10″ (20x24cm)
published in ‘The Mushroom Collector’
(The Soon Institute, 2010 and 2014)
Inkjet print from scanned negative
edition of 5 + 2AP’s, size: 24×24″ (61x61cm)
open edition: size 8×10″ (20x24cm)
published in ‘Hotel Oracle’
(The Soon Institute, 2013)
Inkjet print from scanned negative
edition of 5+2AP’s, size: 24×24″ (61x61cm)
open edition: size 8×10″ (20x24cm)
published in ‘Blind Spot’, issue #35
Inkjet print from scanned negative
edition of 5+2AP’s, size: 24×24″ (61x61cm)
+ open edition: size 8×10″ (20x24cm)
published in ‘Crushed’
(J&L Books, 2003)
Inkjet print from scanned negative
edition of 5+2AP’s, size: 24×24″ (61x61cm)
open edition: size 8×10″ (20x24cm)
published in ‘Crushed’
(J&L Books, 2003)
