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Jason Fulford

Jason Fulford, ph. Tamara Shopsin

“When someone looks at one of your pictures, they will always think of their own life, their own memories. Each interpretation will be unique.”

– Jason Fulford

JASON FULFORD (1973) is a photographer, co-founder of J&L Books, and a Guggenheim Fellow.

He is a frequent lecturer at universities, and has led workshops across the United States, in Japan, Italy, Poland, Latvia, Britain, Canada, Luxembourg, The Netherlands, Germany, Spain  and Slovenia.

His monographs include Sunbird (Bird Entertainment, 2000), Crushed (J&L Books, 2003), Raising Frogs for $$$ (The Ice Plant, 2006), The Mushroom Collector (The Soon Institute, 2010 and 2014), Hotel Oracle (The Soon Institute, 2013), Contains: 3 Books (The Soon Institute, 2016), The Medium is a Mess (Studio Blanco, 2018), Clayton’s Ascent (TBW, 2018) and Picture Summer on Kodak Film (MACK, 2020).

He is co-author with Tamara Shopsin of This Equals That (Aperture, 2014), Find Colors (Phaidon and Whitney Museum, 2018), A Pile of Leaves (Phaidon and Whitney Museum, 2019), and Offline Activities (The Ice Plant, 2020). Together with Gregory Halpern he co-edited The Photographer’s Playbook (Aperture, 2014).

Fulford’s photographs have been described as open metaphors. As an editor and an author, a focus of his work has been on the subject of how meaning is generated through association. 

His books here
His website here

Exhibitions in collaboration with Micamera

Picture Summer on Kodak Film
19 May – 20 June, 2020 (to be rescheduled)
Micamera, Milan

Jason Fulford and Tamara Shopsin
The Beach Ball and the Crab
15 September – 14 October, 2017
Micamera, Milan

Performances

Hotel Oracle / the wine cellar
28 March, 2014
Micamera, Milan

High Anxiety
6 May, 2017
HEY NOW, Reggio Emilia

Workshops

ME ME ME (or: THE PARALLAX VIEW) with Tamara Shopsin
16 -17 September, 2017
Micamera, Milan

Chance
22-23 October, 2016
Micamera, Milan

VISUAL LANGUAGE: How images speak to each other
29-30 March, 2014
Micamera, Milan

Some artworks. Please contact us for further information

Vancouver, 2019
Inkjet print from scanned negative
edition of 5+2AP’s, size: 24×24″ (61x61cm)
open edition: size 8×10″ (20x24cm)
published in:
‘Picture Summer on Kodak Film’
(MACK, 2020)
Scranton, 2020
Inkjet print from scanned negative
edition of 5+2AP’s, size: 24×24″ (61x61cm)
open edition: size 8×10″ (20x24cm)
published in:
‘Picture Summer on Kodak Film’
(MACK, 2020)
Scranton, 2020
Inkjet print from scanned negative
edition of 5+2AP’s, size: 24×24″ (61x61cm)
open edition: size 8×10″ (20x24cm)
published in:
‘Picture Summer on Kodak Film’
(MACK, 2020)
San Francisco, 2020
Inkjet print from scanned negative
edition of 5+2AP’s, size: 24×24″ (61x61cm)
open edition: size 8×10″ (20x24cm)
published in:
‘Picture Summer on Kodak Film’
(MACK, 2020)
Brooklyn, 2009
Inkjet print from scanned negative
edition of 5+2AP’s, size: 24×24″ (61x61cm)
open edition: size 8×10″ (20x24cm)
published in ‘The Mushroom Collector’
(The Soon Institute, 2010 and 2014)
Scranton, 2010
Inkjet print from scanned negative
edition of 5+2AP’s, size: 24×24″ (61x61cm)
open edition: size 8×10″ (20x24cm)
published in ‘The Mushroom Collector’
(The Soon Institute, 2010 and 2014)
Seoul, 2010
Inkjet print from scanned negative
edition of 5 + 2AP’s, size: 24×24″ (61x61cm)
open edition: size 8×10″ (20x24cm)
published in ‘Hotel Oracle’
(The Soon Institute, 2013)
Los Angeles, 2007
Inkjet print from scanned negative
edition of 5+2AP’s, size: 24×24″ (61x61cm)
open edition: size 8×10″ (20x24cm)
published in ‘Blind Spot’, issue #35
Pennsylvania, 1999
Inkjet print from scanned negative
edition of 5+2AP’s, size: 24×24″ (61x61cm)
+ open edition: size 8×10″ (20x24cm)
published in ‘Crushed’
(J&L Books, 2003)
Scranton, 1999
Inkjet print from scanned negative
edition of 5+2AP’s, size: 24×24″ (61x61cm)
open edition: size 8×10″ (20x24cm)
published in ‘Crushed’
(J&L Books, 2003)