Say So brings together American artist Whitney Hubbs’ recent self-portraits, which were taken in the style of cheap, lewd pornographic pin-ups.
After her acclaimed book Woman in Motion in which she photographed models, Say So continues her quest to explore and challenge the relationship between the camera and the female body. In it, she uses and abuses her own body to revealing effect in masochistic (BDSM) performances that are made at the intersection of eroticism and humiliation and are wonderfully uncomfortable to digest.
Using the camera as an audience and a mirror, Hubbs positions her work within a long tradition of artists using photographic self-portraiture – from Claude Cahun, Valie Export to Boris Mikhailov – and reworks its language with a stripped down, rowdy formalism that relates to her Riot Grrrl past. Say So offers up an outside position (drenched in inky black humour) responding to precarity, loneliness, and marginalization in a world badly off its tilt. Hubbs’ photographic work is accompanied by a new essay by iconic writer and critic Chris Kraus, author of the seminal novel I Love Dick.