Questa pubblicazione in due volumi presenta le intuizioni che hanno caratterizzato i primi lavori di Robert Adams, in relazione al lavoro dell’architetto Rudolf Schwarz.
In un suo testo inedito lo stesso Adams descrive la sua visione riguardo la moderna architettura, rivelando la stressa connessione che intercorre tra lui e l’architetto.
Durante il suo unico tour europeo Adams si concentrò particolarmente sulle chiese di Rudolf Schwarz ad Aquisgrana e a Colonia. Fu il risultato ottenuto che lo convinse a diventare fotografo, segnandolo indelebilmente.
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